At night, I worry about red algal blooms and the way death follows abrupt darkness. Consider the lithe loggerhead or the polyps of ancient staghorn. What must it be like to surrender to those invading clouds, parched for sunlight?
I now allow myself to write
those velvet throats, those waves of female form,
without discrediting the work
as politic instead of rather than also poetic.
I touch a woman and learn long dead languages, taste her breath and tides pull me under,
where the ocean names my atoms
reminds me all I’d know
if the Earth herself were my politics.
The swamp is my reliquary, and deep within, death and life and death sing across the waters.
She too carries this candor, her body equally unnavigable without submission. I’ve learned this:
How could I see the naked world
and wish it clothed? How could I breathe good air filtered over light years, bequeathed to me by the stars I count beside my lover,
and wish to bottle it? Nothing, not poetry, not politics, will spare me if I cannot spare her.
Tonight I worry that the future is too wide and we are too small; it absorbs us in a flash and we are gone, consumed… and the future yawns on and on.